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Kūki-kei (Japanese:
After Neon Genesis Evangelion started the third anime boom, the definition of the sekai-kei as "a group of works that directly connect the interpersonal issues of the protagonist (you) and the heroine (me) with grand and abstract issues such as a 'world crisis' or 'the end of the world' without any specific plots in between" for ACG works was proposed and gradually became popular. However, although sekai-kei works have largely focused on the character's personal growth and downplayed the social background, this growth still has the characteristic of connecting the characters' small problems with the world's big problems, and had not yet reached complete "slice-of-life" status. After the development of the sekai-kei, a series of ACG works in which female characters promote the development of slice of life plots gradually increased in the early 21st century, marked by the serialization of Azumanga Daioh in 1999. Subsequently, some blogs on the Japanese internet started calling this style kūki-kei, and the concept of kūki-kei was born. After 2006, kūki-kei works such as Hidamari Sketch, Lucky Star, or K-On! were successively adapted into anime and became successful. The kūki-kei has gradually become an important part of daily works.
Kentaro Komori proposed the following comprehensive features for kūki-kei works.
In addition, kūki-kei also have some other features, such as:
Works that conform to kūki-kei characteristics |
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